As he pens the songs and lines for a new theater musical, Paul Gordon often thinks of a quote attributed to legendary dancer and choreographer Bob Fosse.
“Sometimes you have to murder your darling,” Gordon says, with not a little dry humor in his voice. The quote means that although you may be enraptured with your skippy patter song or dreamy ballad, the song may have nothing to do with the plot. And, snip, it’s cut from the show.
“I’ve gotten very, very used to it,” Gordon said of making cuts. “It’s really about the storytelling.”
The quote is particularly apropos these days, as Gordon prepares to bring his latest creation, a musical based on Jane Austen’s “Emma,” to the stage for the first time as part of TheatreWorks’ annual Spring Festival of New Works.
After writing the music, lyrics and book for “Emma,” he’s now enmeshed in rehearsal. Actors are singing songs and speaking lines that once existed only on paper. Many a change is being made, with help from the performers and director Robert Kelley (also TheatreWorks’ founding artistic director). Once the show is on its feet, a joke may tank or a tune may drone.
As Gordon said before rehearsals started, “I think we will have to murder some darlings along the way, but I have no idea what they are.”
On April 29 at 3:30, “Emma” sails onto the Second Stage at the Mountain View Center for the Performing Arts, the first play of the festival. It’s one of four new musicals and three plays getting staged readings, which are less formal than actual productions. There are no costumes, and the actors’ movement on stage is just sketched out, but a staged reading can help gauge the quality of a new production.
Each production will have repeat stagings during the festival, which runs through May 7. The other musicals are “Big Red Sun,” with music by Georgia Stitt and book and lyrics by John Jiler; “Asphalt Sun,” with music and lyrics by Andrew Lippa; and “Something’s Wrong,” with music and lyrics by Lance Horne and book and lyrics by Winter Miller.
The plays are: “Mezzulah, 1946” by Michele Lowe, “American Klepto” by Allison Moore, and “The Drunken City” by Adam Bock.
Audiences get to play a role: they can give feedback on cards that will help the artists make more modifications. There’s also the thrill of getting a sneak peek at what could become a modern classic. You never know.
Pieces that you’re sure going to do well sometimes don’t,” said New Works director Kent Nicholson, who was hired by TheatreWorks about five-and-a-half years ago to create the program. “Sometimes big risks do extremely well. Or you find where the potential is and take it from there. … It’s not necessarily about finding that perfect piece.”
Nicholson always keeps an eye out for potential: he accepts play and musical submissions year-round. His main goal is to give artists the precious time and space to work on their creations, whether in the rehearsal process or in a separate writers’ retreat program for new works.
If more help is needed, Nicholson and other TheatreWorks folks also give feedback on a work, whether it’s clearing up a plot point or fleshing out a character.
Feedback from both TheatreWorks and the audiences can be invaluable, said composer Georgia Stitt from “Big Red Sun.”
“We feel we’ll come away from the festival with a completed first draft,” she said. “We’ll come away … having learned a few things about the piece: Does the audience enjoy it? Are they confused? Are any characters underdeveloped? Are there any anachronisms?”
“Big Red Sun” follows a family broken by World War II. Dad is a swing musician and bandleader who comes home from battle to find music has evolved without him, and his son tries to connect with his father while becoming a guitarist of folk and protest songs. Writer and lyricist John Jiler, who grew up in the 1950s, charmed Stitt by showing her an early incarnation of the play.
What: TheatreWorks’ 2006 Spring Festival of New Works, giving staged readings of four new musicals and three new plays .Arts, 500 Castro St.
When: April 26 through May 7. Each production will have more than one reading (see schedule at theatreworks.org).
Cost: $15 general per show, $10 for subscribers and members
Info: Call (650) 903-6000 or go to theatreworks.org.
